R.U.R., o Nascimento do Robô [R.U.R., The Birth of the Robot] is an adaptation, by Portuguese multimedia artist Leonel Moura, of the theater play R.U.R. (Rossum’s Universal Robots), written by Karel Capek in 1920.

The original version is considered a classic about the conflict between men and robots, and marks the first time that the word robot was used to designate machines able to carry out operations with a certain autonomy. The term, originally from Czech, signifies repetitive work.

In the current version, real robots appear on stage with the human actors. Moreover, the narrative has been significantly altered by the introduction of reflections and perspectives of the machines themselves at the core of the story.

august 2010

Thursday 5 through Sunday 8 and Thursday 12 through Sunday 15

20h

sala itaú cultural, maximum 247 viewers

free admission

itaú cultural avenida paulista 149 [brigadeiro subway station] phone +55 11 2168 1777 atendimento@itaucultural.org.br | itaucultural.org.br | twitter.com/itaucultural | youtube.com/itaucultural

not suitable for children under 12 years old

Credits

Conception, Text and Direction: Leonel Moura  Assistant Director and Costume Designer: Madalena Poppe Director of Actors and Adaptation of text to Brazil: Rubens Velloso Assistant Director of Actors:  Joana Dória Original Music: Carlos Maria Trindade Videos: João Moura Actress of the Video “Memória de Lúcio”: Isabel Souto Gonçalves Robotics: IdMind High Level Programming: Selftech Localization System: Ubisense Decoration (set): António Gavinho Decoration (material): Matias Corporation, Emotiv Systems Inc. and Myvu Corporation Robot Modeling: Guliver Sound Studio: Namouche 3D: Alexandre Tavares Lighting Designer: Mirella Brandi

Cast

Sandra Miyazawa (Helena), Beto Matos (Absoluto), Marcos Azevedo (Lúcio), Robô Babá, Robô Helena, Robô Primus

Voices of the robots

Elizângela Morais Gomes Falcão (Babá), Isabela Salim (Helena), Joanyr Gomes Sobrinho (Primus), Nivaldo Souza (Council of Robots)

Take a look at the schedule for the Simpósio Emoção Art.ficial 5.0 – Autonomia Cibernética.

The meetings occurred from July 1 to 3 – and were transmitted live by Internet. Here you fin information on the tables and speakers. You can also watch all lectures’ videos in English and Portuguese.

Thursday, July 1

7 p.m. lecture Autonomia e Sistemas de Jogos [Autonomy and Game Systems]with Murray Campbell

The relation between the game of chess and computers began a long time before the invention of the first digital device. But it was only in 1997, with the defeat of Garry Kasparov – one of the greatest chess players in history – by IBM’s supercomputer Deep Blue, that the experiments became widely known. Currently, the technology is being applied to other games, such as “question and answer” television game shows.

Murray Campbell is a senior manager with the Department of Mathematical Sciences of IBM, in Yorktown Heights, New York, United States. He was a member of the teams involved in the construction of machines to play chess, culminating in the development of the aforementioned Deep Blue.

Friday, July 2

7 p.m. lecture Arte evolucionária [Evolutionary art]

with Jon McCormack

The process of evolution by natural selection explains how the species change and adapt in the absence of explicit goals or external help. Evolution is a fact. It shows how systems of complex life arise in an autonomous way, from low to high, without there being a central planner or controlling demiurge. In the field of art, methods and processes elaborated with computer codes precisely simulate this principle.

Jon McCormack is one of Australia’s most representative new-media artists, whose work has been shown throughout Europe, Asia and the Americas. He is codirector of the Center for Electronic Media Art of Monash University, in Melbourne, where he also serves as a senior professor of computer science.

Saturday, July 3

4 p.m. roundtable Autonomia e Pós-Humanismo [Autonomy and Post-Humanism]

with Lucia Santaella and Stelarc

A debate on the question of post-humanism, but from the standpoint of a non-anthropocentric humanism. Currently, a certain illusion circulates which holds that with the advent of biotechnology the “self” can finally be freed from the flesh, ignoring its material dimension. Science fiction apart, the priority now is to find ways to meet the challenges of the information era without losing sight of the condition of subjectivity and the human body.

Lucia Santaella is a researcher and professor at PUC/SP, where she earned her doctorate in literary theory and founded CS Games, a group for research into games and semiotics. She also serves as a professor at the School of Economics in São Paulo at Fundação Getulio Vargas (EESP/FGV), in the areas of new technologies and grammars for sound, relations between the verbal, visual and audio elements in multimedia, and the biocognitive foundations of communication.

Stelarc is an artist interested in the evolutionary architecture of the body and in possible ways of redesigning the human, enhanced by implants and exoskeletons. Head of the Department of Performance Art at Brunel University, England, he is an invited senior researcher at the University of Western Sydney, Australia.

7 p.m. lecture Interação, emergência e autonomia [Interaction, emergence and autonomy]

with Paul Pangaro

A reflection on the themes dealt with in each of the editions of the cybernetic trilogy of Emoção Art.ficial – interaction, emergence and autonomy – gives rise to the proposal of a second trilogy:

conversation, entailment and autopoiesis. And these three concepts, in turn, point toward another possible triad: consciousness, meaning and the being human.

Paul Pangaro studied computer science at MIT and earned his doctorate in cybernetics at Brunel University. He worked with scientist Jerry Lettvin in the field of neural models, with Nicholas Negroponte – one of the founders of the Media Lab at MIT – in the area of animation systems, and with Gordon Pask in the cybernetics of learning. Co- founder of CyberneticLifestyles.com in New York City, he creates product visions and innovation strategies for clients such as Nokia, Poetry Foundation and Intellectual Ventures.

The fifth edition of Itaú Cultural’s international art and technology biennial closes the trilogy

of exhibitions inspired in cybernetics, the discipline that explores, in a broad sense, all of the

various possibilities of interaction among systems–which can be either machines or living

beings. Conceived in the second half of the last century, this field of study is empowered

today due to the current applicability of its suppositions concerning equilibrium, selforganization,

and interactivity.

 

This last show of the cycle takes for its central theme the concept of autonomy, which

characterizes systems, or artworks that possess the ability to establish a dialog with their

surroundings while also determining the rules for this interaction.

 

Thursday 1 July to Sunday 5 September 2010

Tuesday through Friday 9 a.m. to 8 p.m.

Saturdays, Sundays, and holidays 11 a.m. to 8 p.m.

 

artworks and artists

 

Educational service

Art.ficial Educator – visits with video guide

 

visitors are provided with MP4 devices that contain audiovisual material about the works shown.

the devices can be used free of charge; users are required to fill out a form and leave their official ID.

users less than 14 years old can use the devices only when accompanied by a older person who assumes responsibility.

up to 20 people at a time

duration up to 60 minutes

Tuesday through Friday, 9 a.m. to 8 p.m.

Saturday, Sunday and holidays 11 a.m. to 8 p.m.

this activity is available to the public from 13 July to 5 September

scheduled visits

groups ranging in size from 10 to 44 people

duration approximately 90 minutes [visit for special-needs users,

approximate duration 120 minutes]

Tuesday through Saturday [various times]

 

unscheduled visits

groups of up to 22 people

duration approximately 60 minutes

Tuesday through Sunday and holidays [various times]

 

scheduling and information

phone +(55 11) 2168 1876 [Monday through Friday 10 a.m. to 6 p.m.]

 

free admission

Avenida Paulista 149 – Paraíso – São Paulo SP

Information: +55 11 2168 1777 | atendimento@itaucultural.org.br