The Thoughtbody Environment Interface
by Bill Seaman(2006)
A work based on the romantic idea of constructing a corporeal mechanism that, by means of a multiple sensorial system can enable the appearance of something which resembles human consciousness.
Bill Seaman
An American artist. He earned his Masters in visual studies at the Massachusetts Institute of Technology, and his phD at the Centre For Advanced Inquiry into the Interactive Arts, CAiiA.
Talysis 2
by Paul Prudence (2006)
A circuit, in which a camera films, in real time, a screen that shows the image of the camera itself.
Paul Prudence
A British artist, who is responsible for the blog: Dataisnature.
Evolving Sonic Environments
by Usman Haque(2006)
Several devices communicate with each other by means of ultrasonic waves. They reach vibrations which act on the threshold of human hearing, but that can be seen on a large screen thanks to a data visualization system.
Learn more about interactivity, a central concept to some breeders of the art technology.
Usman Haque
He teaches at the Bartlett School of Architecture, in London.
Robert Davis
An artist and professor of the Department of Psychology of the Goldsmiths University of London.
Software Mirrors
by Daniel Rozin (2001)
Three triptych-shaped works which use cameras connected to computers and recondition the images captured of the public.
Learn more about interactivity, a central concept to some breeders of the art technology.
Daniel Rozin
An American artist and educator. He is a professor of the department of arts of the New York University and chair of Smoothware.
Cheap Imitation
by David Rokeby (2002)
An installation with several facets cut from Nude Descending a Staircase, by Marcel Duchamp, which emerge according to the visitor’s movements.
David Rokeby
A Canadian artist, who has created interactive installations since 1982.
La Funambule Virtuelle
by Marie-Hélène Tramus and Michel Bret (2000)
A virtual character balances itself on a tightrope, and reacts to the movements of the human observer. At the same time it tries to reproduce the posture of the participant, the character seeks balance on the virtual tightrope.
Learn more about interactivity, a central concept to some breeders of the art technology.
Marie-Hélène Tramus
She is a phD in aesthetics and art sciences from the University of Paris 8.
Michel Bret
Professor of the chair of Arts and Technologies of Image at the University of Paris 8.
Text Rain
by Camille Utterback (1999)
The projection of the participants’ bodies is combined with the animation of a rain of letters, which respond to the participants’ body movements. If participants accumulate letters, they can form a word or a phrase.
Learn more about interactivity, a central concept to some breeders of the art technology.
Camille Utterback
A pioneer in the field of interactive installations, she has held exhibitions in the United States, Tokyo, Austria among other countries.
Romy Achituv
An Israeli artist, who lives and works in New York.
Neon Organic 2
by Marius Watz (2006)
Root-shaped organic curves grow, twist and branch, forming webs which resemble neuron pathways.
Learn more about emergency, a central concept to some breeders of the art technology.
Marius Watz
A Norwegian artist. He develops real time generative systems of animated forms.
Messa di Voce
by Christa Sommerer and Laurent Mignonneau (2003)
The installation makes use of sophisticated voice recognition software to transform each vocal nuance into complex and expressive graphics.
Learn more about interactivity, a central concept to some breeders of the art technology.
Golan Levin
A performance artist, who develops systems for the creation and simultaneous manipulation of image and sound.
Zachary Lieberman
He gives multimedia courses at the Parsons School of Design.
Life Writer
by Christa Sommerer and Laurent Mignonneau (2005)
When the participants type a text on the keys of an old typewriter, they form creatures based on a genetic algorithm that determines their behavior and movement.
Learn more about emergency, a central concept to some breeders of the art technology.
Christa Sommerer and Laurent Mignonneau
Austrian biologist Christa Sommerer and French artist Laurent Mignonneau are professors at the University of Arts and Design in Linz, Austria, where they also head the Department of Culture Interface in the Media Institute.
Eden
by Jon McCormack (2000)
An evolutionary installation of artificial life, which forms an ecosystem. The agents are cellular automata which interact with each other and with the environment.
Learn more about autonomy and interactivity, two central concepts to the creators of art technology.
Jon McCormack
An Australian artist. He is a senior professor of Computer Science and co-director of the Centre for Electronic Media Art of the University of Monash in Melbourne.
Dog[LAB]01
by France Cadet (2004)
An installation with five hybrid autonomous robot-dogs, of different species, which were transformed both in behavior and in appearance.
Learn more about autonomy, a central concept to some breeders of the art technology.
France Cadet
A French artist. Currently, she teaches at the Fine Arts School in Aix-en-Provence.